Welcome to our online gallery of exhibiting artists! The Jerome Artists' Cooperative is a vibrant community of fine artists and crafts people living and working in or near Jerome, Arizona. Each of our members maintains their own art blog/gallery page which can be visited by clicking the links below.
They asked Suzen to design for them, but to their great disappointment, her reply was, "My clothes are just for me."
Marjorie was born with a love of horses. Stables and the outdoors were her playgrounds growing up in Cumberland, MD.
"I use symbolic images from nature as objects of dreaming and contemplation. Hopefully my work becomes a refuge for the soul..."
Thanks to my artistic and enthusiastic Hungarian neighbor. I have been making collage since high school. I often include my pen and ink work in these pieces.
I am a jeweler and art to wear designer who drove up the mountain on a fall day about 13 years ago. I knew I was home.
I am grateful that I can soak in all the beauty of the universe and that I am able to share my creations with others.
Sarah Foster was born in Sedona, Arizona and from a very early age she was involved in music and theatre.
Marsha’s interest in ceramics began during her art studies at Northern Arizona University in nearby Flagstaff. Her inability to “throw” a pot that weighed less than five pounds did not dampen her interest in working in the “mud.”
After 25 years as a professional calligrapher, I found myself competing with the computer. This was not fun and slowly I worked back to my roots as a painter only this time using those magical sound symbols which make up our speech.
Since 1979, I have been using time honored, traditional metalsmithing techniques to create my contemporary, yet earthy wearable art.
Judy Jaaskelainen resides in northern Arizona and is an Award Winning, Juried Member of Northern Arizona Watercolor Society.
An artist's critical eye of what transforms scenes into art.
Perspective. Balance. Shapes. Light. Shadows. Texture. Mood.
All that excites the visual and emotional senses.
I am an intuitive painter, one who paints entirely from imagination - never from photos. For me, colors, textures and forms are the most important elements in a painting, although I always feel inspired by the beauty of the landscape around me.
Lopez displayed an interest in the natural world around him as he was growing up. At an early age, he started sketching his observations and soon discovered his passion to create art.
All of my work is lamp-worked glass which means that it is made using a table mounted torch. I use different crushed and powdered glasses, clear and colored rods, as well as silver and gold fuming.
With the love of glass art, my wish is that my creations will bring as much joy to all those who use them as they do for me in creating them.”
A fearless color palette defines the work of Michele Cokl Naylor. She uses bold, vivid and seductive hues to prompt a reaction or to provoke a mood. Color, textures and unexpected patterns are the language she employs across a range of media. She makes hats, designs greeting cards, and works in mixed media.
I design my work with simple lines, often inspired by classic shapes, to display the natural beauty of each piece of wood.
Fred Reinhardt creates unique stained glass pieces using the copper foil process. Incorporating an incredible array of specialized glass, including dichroic, Fred's pieces capture light in a way that captivates your senses.
I am compelled to rescue those damaged, rusty and discarded objects wherever they may be found. The narrative of my art is driven by my intuition which combines disparate elements and transforms their mundane and rejected lives into surprising artistic identities.
Jim Todd began oil painting at the young age of 10, under the instruction of his father. Jim studied commercial art in college, while pursuing private instruction in oils. He has exhibited his work in dozens of shows and galleries throughout the United States, and has received more than fifty awards.
I have been painting for over 25 years, but it was not until seven years ago when I took my first pastel workshop that I was immediately hooked on this medium. Then came a pastel workshop on "sanded paper" and that was it - the oil paints and brushes were put away
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